Rolls 1509, 1514, 1521, and 1549: Kodak Tri-X @ EI 3200 / RPX 400 @ EI 400 / Ilford HP5+ @ EI 400 // Rodinal 1+55 semi-stand

• 1549: Reverend Peyton’s Big Damn Band at the Turf Club. (21 November 2025. Kodak Tri-X @ EI 3200 in Minolta XE-7.) (on top.)
• 1514: Frank Turner at the Stanley Hotel. (22 May 2025. Rollei RPX 400 @ EI 400 in Minolta XE-7.)
• 1521: Frank Turner at the Stanley Hotel. (23 May 2025. Rollei RPX 400 @ EI 400 in Minolta XE-7 with 70–210mm zoom lens.)
• 1509: Midge Ure at the Oriental Theater. (19 May 2025. Hand-rolled Ilford HP5+ @ EI 400 in Nikon FE-2.) (on bottom.)

Loaded into the 1L tank inside daylight changing bag. Pre-soaked film for ~5 minutes. During the pre-soak, mixed 18mL Rodinal (4.5mL/roll) in distilled water to ~800 mL. Poured developer in, then topped off with distilled water. Agitated 40x over the first minute, then 2x more at 40:00 and 80:00. All agitations are half-agitations, gently (i.e., gently twisting to a 90-degree inversion, then gently back).

After 120:00, disposed of developer, rinsed in ~70 degree tap water. Fixed for 6 minutes, agitating 10x/minute (that’s now 16 rolls from this batch of fixer). Reclaimed fixer and rinsed for ten minutes in tap water, then emptied tank, added a few drops of Photo-Flo, filled tank with distilled water and agitated 20x, and hung negatives vertically to dry.