28 Days Later and the Zombie Film
English 165EW
Guest lecture by Steven Pokornowski
(with additional links added by Patrick Mooney)
13 February 2013
Cultural History of the Zombie (asterisks indicate important moment)
I want to highlight major genre shifts, use these to set up a narrative about the genre and the zombie, and use that to begin to think about 28 Days Later, the contemporary cultural moment, and the ubiquity of zombies.
Discussion
I will stress how the zombie and the outbreak narrative (and historically the virus and the zombie) are bound together.
Let's just open a discussion about the film here:
- Is it a zombie film?
- Based on what you've seen — and what you've heard — what are the tropes of a zombie film?
- How might 28 Days Later be different?
- Why might Danny Boyle WANT it to be different?
- How is it similar?
- Selena's machete (and her name, racializes her even more)
- The military as security versus the military as autoimmunity
- Racial politics of the film
- The end of the film
Suggested reading
Criticism/Ethnography
- Better off Dead, edited by Sarah Juliet Lauro and Deborah Christie (on the zombie as a post-human figure)
- Contagious, by Priscilla Wald (on outbreak narratives)
- Cinematic Prophylaxis, by Kirsten Ostherr (on the interaction between PSAs/educational films and cinema in relation to outbreak narratives, offers some great readings)
- Excerpts on zombies from The Magic Island by W.B. Seabrook and from Tell My Horse by Zora Neale Hurston
- The Serpent and the Rainbow (especially the conclusion) by Wade Davis
- The postcolonial theory of Édouard Glissant.
Fiction
Suggested viewing