Lecture 10: Some Thoughts on Education

English 140
Summer Session B, 2012
UC Santa Barbara

Not quite conversation
It was somewhere in between
You said everything is taught
And I listened patiently.

All this dog and pony;
Still monkeys the whole time.
We could not keep from flinging shit
In our modern suits and ties.

Modest Mouse, Education (2007)

A Few Words on Satire

SATIRE: A mode of writing that exposes the failings of individuals, institutions, or societies to ridicule and scorn. (The Oxford Dictionary of Literary Terms)

  • From Latin satura, an abbreviated form of lanx satura, an abundant mixture, a hodgepodge (i.e., of public and private issues requiring severe criticism).
  • There are two primary forms of satire:
    • Formal or direct satire: The narrator directly addresses the reader with explicit comments about the subject being satirized.
    • Indirect satire: Most common form in plays and novels; the author presents a situation and allows the reader (or viewer of a play) to draw his/her own conclusions.
  • Satire can occur in novels, poetry, drama, and other literary and quasiliterary forms.
  • Satire is often a response by a social outsider to the follies and antics of the powerful.
  • The word satire refers to both:
    • (in general) the act of exposing a situation to ridicule; and
    • (specifically) a literary form that is primarily concerned with performing this ridicule.
  • The 17th and 18th centuries are sometimes referred to as the Age of Satire in English literature.
    • Major practitioners in this period include Alexander Pope and Jonathan Swift.
  • Most 17th- and 18th-century satirists explicitly model their satires on Latin models, especially Horace and Juvenal.
  • Satire can range in tone from gentle chiding to bitter excoriation.
  • Historically, satire has generally tended toward didacticism.
  • In order to criticize the follies of individuals or social groups, satire requires that its readers share a particular moral viewpoint with the author.
    • This is especially true for indirect satire.
  • Hence, the satirist, in and by writing satire, elevates and promotes him- or herself as an authoritative judge of morality.
  • Satirists often take the position of being humanistic in spirit, loving their fellow human beings and wanting to reform those who commit evil and folly in order to benefit all.
  • British poet W.H. Auden takes a very traditional view of satire:

    Satire is angry and optimistic; it believes that, once people's attention is drawn to some evil, they will mend their ways.

    Forward to Angus Stewart’s Sense and Inconsequence (1972)

Menippean (or Varronian) Satire

  • So-called after the (lost) works of the Greek Cynic philosopher Menippus (3rd century BCE), or his Roman imitator, Varro (1st century BCE)
  • Characterized by:
    • miscellaneous contents
    • displays of erudition
    • comical discussions on philosophical topics
  • An example you likely already know: Lewis Carroll’s Alice’s Adventures in Wonderland.

Magic(al) Realism

  • A literary form that maintains a reliable and objective narrative form while incorporating fabulous and fantastical events.
  • The term was initially applied to a trend in German fiction in the 1950s.
  • However, it is now more commonly associated with certain authors in Central and South America.
  • Often, the magical elements are figures for the incredibly complex and phantasmagorical political realities of the contemporary world.